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Orchestra
True Luminosity (2025) – 6’45”

2(II=picc).2.2.2-2.2.2.1-timp.perc(3): I=glsp/4w-bl/tam-t/slapstick; II=bowed vib/4tom-t; III=BD/SD-hp-pno-str

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Mimi’s Song (2022) – 6’45”

2(II=picc).2.2.2-2.2.1.1-timp.perc(2): I=bowed vib/tam-t; II=t.bells/BD-hp-str

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Chamber
To Err (2025) – for wind quintet – 12’20”

for flute, oboe, clarinet, horn (or tenor saxophone), and bassoon

Commissioned by the Lutheran Summer Music Academy and Festival 2025

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QUIET/LOUD (2025) – for mixed ensemble – 7’00”

for flute, clarinet, piano, electric guitar, double bass, and live electronics

Commissioned by fivebyfive.

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Cosmic Messenger (2025) – 6’00”

for tenor trombone and amplified harp

Commissioned by Dr. Benjamin J Yates.

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Somber Gloaming (2022, 2025) – 8’10”

for organ and two lever harps, or organ and one pedal harp

Commissioned by Dr. Rachel Brandwein for performance at the American Harp Society Conference 2022 in Sioux Falls, SD

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Desire Lines (2023) – 13’00”

for pedal harp and two saxophones

Commissioned by keystring with generous support from the American Harp Society Grants Foundation

Abating Shadows (2020) – 9’00”

for clarinet, vibraphone, and pedal harp

Commissioned through the Lyra Society’s Costello Competition for Composition

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Pseudosphere (2019) – 10’00”

for two pianos and two percussionists

Solo
An Exploration in Line and Color (2023) – 3’20”

for lever or pedal harp

Commissioned by Harp Column Magazine. Published in Harp Column March-April-2023.

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Germinate (2021) – 3’00”

for flute

Commissioned by Laura Lentz.

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Closer than Careless (2020) – 3’00”

for flute

Commissioned by Laura Lentz.

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Accession (2019) – 5’00”

for violin

Commissioned by Mary Grace Johnson.

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