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Orchestra
True Luminosity (2025) – 6’45”
2(II=picc).2.2.2-2.2.2.1-timp.perc(3): I=glsp/4w-bl/tam-t/slapstick; II=bowed vib/4tom-t; III=BD/SD-hp-pno-str
Mimi’s Song (2022) – 6’45”
2(II=picc).2.2.2-2.2.1.1-timp.perc(2): I=bowed vib/tam-t; II=t.bells/BD-hp-str
Chamber
To Err (2025) – for wind quintet – 12’20”
for flute, oboe, clarinet, horn (or tenor saxophone), and bassoon
Commissioned by the Lutheran Summer Music Academy and Festival 2025
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QUIET/LOUD (2025) – for mixed ensemble – 7’00”
for flute, clarinet, piano, electric guitar, double bass, and live electronics
Commissioned by fivebyfive.
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Cosmic Messenger (2025) – 6’00”
for tenor trombone and amplified harp
Commissioned by Dr. Benjamin J Yates.
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Somber Gloaming (2022, 2025) – 8’10”
for organ and two lever harps, or organ and one pedal harp
Commissioned by Dr. Rachel Brandwein for performance at the American Harp Society Conference 2022 in Sioux Falls, SD
Desire Lines (2023) – 13’00”
for pedal harp and two saxophones
Commissioned by keystring with generous support from the American Harp Society Grants Foundation
Abating Shadows (2020) – 9’00”
for clarinet, vibraphone, and pedal harp
Commissioned through the Lyra Society’s Costello Competition for Composition
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Pseudosphere (2019) – 10’00”
for two pianos and two percussionists
Solo
An Exploration in Line and Color (2023) – 3’20”
for lever or pedal harp
Commissioned by Harp Column Magazine. Published in Harp Column March-April-2023.
more info